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ItalyDied4 November 2002 (2002-11-04) (aged 72)Other namesAnthony M. Dawson, Antony DaisiesOccupationFilm director, screenwriterAntonio Margheriti (19 September 1930 - 4 November 2002), furthermore recognized under the pseudonyms Anthony M. Dawson and Antóny Daisies ('daisies' is definitely 'margherite' in German),was an. Margheriti worked well in several various in the Italian language film business, and had been recognized for his sometimes kind but often stylish and enjoyable, /, and films that had been launched to a wide international viewers. He died in 2002. Material.Biography Earlier lifetime and profession Antonio Margheriti was given birth to in Ancient rome on 19 Sept 1930. Margheriti was the son of a train professional and began his movie career in 1950 operating with.He then began producing brief documentaries beginning with Vecchia Róma in 1953.
In 1954, Margheriti has been acknowledged with specific results in movies like as 'beds. By 1955 he had been credited in screenplays like as Classe di ferro. Leading profession Margheriti grew up reading through science hype comics, and when he has been provided to lead the movie, he signed on to the task. He followed up this movie with starring acting professional, which was in change implemented by with and some even more -design films like as.
Additional genres tackled in the 1960s incorporated apprehension in movies like as, and, ánd the with ánd.After these, Marghériti came back to research misinformation with his Gámma I séries, which were originally filmed for the German television collection but were afterwards launched theatrically. Margheriti implemented these films with some, including. TIn the 1980s, Margheriti created films using the success of, including and, which bóth starred. Warbeck furthermore starred in, a movie whose production became overshadowed by tragedy as Margheriti's long period cinematographer passed away when his plane crashed while he has been trying to obtain the movie's last shot. Margheriti delved into the genre of films inspired by the Vietnam Battle but also instructed, which has been chance in Turkey and had been picked up by for an United states discharge to 1400 theaters.Margheriti passed away on 4 Nov 2002. Design Margheriti't niche in films was low budget initiatives that dropped into styles like as motion and technology fiction.
To make films in short quantities of period, Margheriti used techniques like as shooting with many cameras concurrently, allowing him to record master photos, close-ups, and even more. This frequently led him to light films quite thoroughly, and allowed him to generate several movies per calendar year. Partial filmography Be aware: The films shown as N/A are not always chronological. ^, g.
422. ^, g. 423. Roberto Chiavini; Gian Filippo Pizzo; Michele Tetro (2003). The excellent science fiction movie theater: waiting for the dark monolith (1902-1967) (in Italian). Quantity 2 di Il grande cinema di fantascienza, Collana gli Cd.
G. 159.
^, p. 171., p. 424., p.
163. ^, g.
425., g. 164., p. 165., g.
426. Archivio del movie theater Italiano (in Italian language). Retrieved 4 September 2015., p. 423. Archived from on 3 April 2014. Gathered 4 August 2015. Archived from on 3 Apr 2014.
Gathered 15 January 2019., p. 67.
^, p. 97., g. 109., g.
47., p. 91., g. 63., p.
64., p. 124. (in Italian language).
Retrieved 19 Nov 2018. Archived from on 2 Apr 2014. Retrieved 19 November 2018. Archived from on 3 April 2014. Gathered 15 Jan 2019.
Archivio del cinema Italiano. Gathered 16 January 2019., g. 445. Archived from on 3 April 2014.
Retrieved 19 November 2018. (in Italian). Retrieved 19 Nov 2018., g. 194. Retrieved 22 Sept 2018., p. 37.
Archivio del movie theater Italiano. Gathered 16 January 2019. (in German born). Retrieved 16 January 2019., g. 93., g. 145., p. 172., g.
177. Gathered 18 April 2016. 'Geheimcode Wildganse'. Vol. 52 no. 612.
Archivio del movie theater Italiano. Gathered 16 Jan 2019., g. 103.
Archivio del cinema Italiano. Gathered 16 January 2019. Archivio del cinema Italiano.
Retrieved 16 January 2019. Archivio del movie theater Italiano. Gathered 16 January 2019. Archivio del cinema Italiano. Retrieved 16 January 2019. Archivio del movie theater Italiano.
Retrieved 16 January 2019. Archivio del movie theater Italiano. Retrieved 16 Jan 2019. Archivio del movie theater Italiano. Gathered 16 Jan 2019. Archivio del movie theater Italiano.
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Archivio del cinema Italiano. Gathered 16 January 2019. Archivio del cinema Italiano. Gathered 16 January 2019. Archivio del movie theater Italiano.
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Gathered 16 January 2019. Archivio del movie theater Italiano. Retrieved 16 Jan 2019. Archivio del movie theater Italiano. Gathered 16 January 2019.
Archivio del movie theater Italiano. Retrieved 16 Jan 2019. Archivio del cinema Italiano. Retrieved 16 Jan 2019. Archivio del cinema Italiano. Retrieved 16 Jan 2019.
Archivio del movie theater Italiano. Gathered 16 January 2019. Archivio del cinema Italiano.
Retrieved 16 Jan 2019. Indio 2 - La rivolta (1991), Archivio del movie theater Italiano. Goldweber, James Elroy (2015). Lulu Press, Inc. Retrieved 22 Feb 2019. Fabris, Angela (2018).
Frank Timme GmbH. Retrieved 22 Feb 2019. Retrieved 22 February 2019. internet title=‘Once Upon a Time in Movie': Tarantino'h ‘Inglourious Basterds' Easter Egg Described day=2019 author=IndieWire url=Sources. Curti, Roberto (2013).
German Crime Filmography, 1968-1980. McFarland. Curti, Roberto (2015). Italian Gothic Horror Movies, 1957-1969. McFarland. Curti, Roberto (2016).
Diabolika: Supercriminals, Superheroes and the Comic Book Galaxy in Italian Cinema. Midnight Marquee Push. Curti, Roberto (2017). Italian Gothic Apprehension Films, 1970-1979.
Curti, Roberto (2019). German Gothic Horror Films, 1980-1989.
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McFarland. Fischer, Dennis (2011).
Technology Fiction Film Owners, 1895-1998. Jefferson, North Carolina: McFarland Business. Grant, Kevin (2011). Any Weapon Can Play. Kinnard, Roy; Crnkovich, Tony (2017). Italian Blade and Sandal Movies, 1908-1990. McFarland.
John, Louis (2005). Italian Horror Film Owners. McFarland.External links. on.